Art style: 3D Pixar. A low-angle close-up shot of the park floor as Lily lands on the woodchips. A cloud of dust and small wooden fragments kicks up around her. Her shoulder and hip make contact with the ground first. The camera is positioned at ground level, making the impact feel heavy and immediate. The textures of the rough woodchips are sharp and detailed in the low light. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: Pixar-style 3D computer animation (Pixar / Disney feature-film look) — fully volumetric 3D rendering with rounded dimensional forms, soft subsurface-scattering skin, physically based materials, soft global illumination, warm cinematic key light, gentle depth of field, vibrant family-friendly colours. CRITICAL: EVERY element — characters, foliage, trees, animals, water, sky, props and the entire environment — must be rendered as polished 3D CGI with real depth and form. This is NOT flat 2D illustration, NOT a watercolour or storybook painting, NOT cel-shaded anime. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Character appearance reference (MUST match exactly): - Lily: and centered — Lily, a sweet, curious 8-year-old girl with a vibrant imagination. She has a round, soft face with chubby cheeks, a small button nose, and large expressive brown eyes framed by long lashes. Her long chestnut-brown hair falls past her shoulders with a gentle wave and soft fringe. Fair, warm skin with a faint rosy flush. Slender, small child's build. She wears a blue denim jacket over a pastel yellow t-shirt, comfy dark leggings, and white-and-pink sneakers with little laces. Her pose is gently inquisitive, head tilted, one hand half-raised, lips parted in wonder. Soft, emotional expression. Set on a night playground near a swing set, warm amber streetlights glowing softly behind her, cool evening air.
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