Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted ligh...

Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted lighting, soft illustrated shadows, textured brushwork. No 3D, no glossy CGI, no plastic shading. Polar camp at sunset. The large canvas tent with "CCCP" printed on it stands on the snow, its fabric gently fluttering in the wind — the main animated element. Motion is soft and natural: slight ripples across the surface, lower edges lifting faintly. Radio mast, guy wires, weather instruments, sledges, crates, skis, coiled ropes stay rigid. Heavy snowfall drifts diagonally, denser near camera, softer toward horizon. Thin mist blows low across the ice. Faint snow dust sweeps past foreground crates. Low sun casts warm amber glow across ice, catching tent fabric with soft highlights. Long painted shadows stretch from tent and objects. Painted clouds stay stable. Subtle 2D multiplane parallax: foreground ice and rope fastest, tent and camp objects focal, mid-ground ice ridges slower, distant sea ice and sky slowest. Camera performs extremely slow cinematic push-in toward tent with tiny natural drift. No zoom burst, no rotation. Soft painterly transitions. No hard digital gradients, no plastic 3D, no squash-and-stretch, no anime motion, no rubbery deformation. CAMERA SPECIFICATION Hand-drawn 2D multiplane parallax. Extremely slow push-in with slight drift. No zoom, no rotation. PHYSICAL MOTION Tent fabric gently flutters and ripples. Snow falls diagonally. Mist blows low. Snow dust sweeps past foreground. Camera slowly pushes in. CONTINUITY LOCK Tent structure, "CCCP" lettering, radio mast, guy wires, weather instruments, sledges, crates, skis, coiled ropes, ice ridges, sea ice, clouds, sun — all rigid. Only tent fabric motion, falling snow, drifting mist, snow dust, parallax, and slow push-in allowed. REALISM CONSTRAINTS No morphing, no added elements, no 3D shading, no glossy CGI, no squash-and-stretch, no anime motion, no rubbery deformation, no sudden camera movement. Strictly hand-drawn painterly 2D in Klaus (2019) style.