Image - 2026-09-24 11:25
A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Сгенерируй анимационные клипы по текстовому описанию презентации тренинга → Создай 30 клипов для...", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • PIXAR-LIKE 3D". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 40 numbered storyboard panels in a 4-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (4s): Dark empty screen, a faint warm glow point at center. Panel 02 (9s): Static wide of a bright openspace, warm wood desks, coffee zone, panoramic windows; exactly four office extras seated at desks, not moving; window daylight. Panel 03 (10s): Medium: Diana mid-step at office center under the title, a small floating tracker card by her right hand; four extras seated behind, not moving. Panel 04 (11s): Medium at desk entrance: Diana walking in from left; Denis seated at monitor, headphones on neck; Anna at next desk holding red notebook. Panel 05 (8s): Wide by the central column near the board: Diana with raised hand; Sofia holding a stack of reports; Viktor before a dark wall screen; window light. Panel 06 (11s): Medium: Diana beside the red screen; Viktor hands on head and Sofia among scattered reports behind, standing, not moving. Panel 07 (10s): Medium tracking: Diana walking along monitors; Denis, Sofia, Anna seated at desks in a row. Panel 08 (10s): Medium: Sofia seated hunched under a grey text block on her shoulders, counter 200 above; Diana beside her; Denis and Anna seated, not moving. Panel 09 (10s): Medium: Diana at central hologram holding silver laser pointer in right hand; heavy grey plate with three stop-phrases floats before her. Panel 10 (10s): Medium at Anna's desk: Anna seated with red notebook; exactly four glowing cubes on desk; Diana arriving at desk edge, pointer clipped to hoodie pocket. Panel 11 (8s): Medium: pyramid glowing on Anna's desk; Diana's hand near top tier; Anna seated holding a messy scribbled card. Panel 12 (8s): Medium: Anna standing at desk holding the four-line card in right hand; Diana beside pyramid. Panel 13 (10s): Medium at coffee machine: Diana walking in; heavy stone block engraved with words floating above counter. Panel 14 (9s): Medium at Denis's desk: Denis seated, headphones on neck; Diana walking in from left, empty hands. Panel 15 (9s): Medium: three envelopes hover over Denis's desk; Denis seated; Diana beside him. Panel 16 (10s): Medium at mail terminal: Viktor seated; exactly three junk subjects float; Diana arriving. Panel 17 (8s): Medium at meeting stand: Diana holding a folded mirror frame and a login card in right hand; Denis standing to the right, not moving. Panel 18 (11s): Medium: Diana holding login card between mirror halves; grey-suited customer reflection left, Denis right. Panel 19 (10s): Medium: Sofia at screen, stuck pipeline blocked by exactly three heavy noun blocks; Diana beside her. Panel 20 (11s): Wide at central arch: exactly eight neon blocks on the floor; Diana at center; Denis, Anna, Sofia, Viktor standing behind, not moving. Panel 21 (9s): Medium at huge dark tracker display: Denis standing before it, headphones on neck; Diana at left edge. Panel 22 (10s): Medium: vague ticket on display; Diana holding stylus in right hand; Denis beside her. Panel 23 (8s): Medium at analytics zone: Anna holding a vague story card; Diana beside her. Panel 24 (10s): Medium at test stand: Sofia seated, screen reads Кнопка не работает; Diana beside. Panel 25 (8s): Medium at team lead desk: Viktor seated, long scroll-letter unrolled; an author extra in green shirt standing, not moving; Diana beside. Panel 26 (10s): Wide openspace: Diana center; Anna, Denis, Artyom at clear boards, markers in right hands; Sofia at board, not moving. Panel 27 (10s): Medium at main screen with vague search requirement; Sofia, Denis, Anna holding magnifiers. Panel 28 (10s): Medium: Diana holding golden cup in both hands; Sofia and Denis before her. Panel 29 (11s): Medium at sound zone: speaker above table; Artyom, Anna, Denis seated around it. Panel 30 (10s): Medium at editing zone: huge paragraph projected; Artyom with stylus; Diana beside. Panel 31 (10s): Medium chain line: Anna holding requirement card; Denis, Sofia, Artyom standing in a row. Panel 32 (8s): Medium: Artyom holding code cube by dark monitor; Diana beside. Panel 33 (10s): Medium at wall: board Топ-7 граблей; Diana; Denis holding hammer; wooden box open. Panel 34 (9s): Medium: checklist hologram; Diana; Denis before it. Panel 35 (9s): Medium at mail station: checklist glowing; Viktor seated; Diana standing. Panel 36 (9s): Medium at desks: Diana holding templates; Anna, Denis, Sofia seated. Panel 37 (9s): Medium: Denis at code review screen; Diana beside. Panel 38 (10s): Medium: Diana holding stickers; Anna, Denis, Sofia seated. Panel 39 (11s): Medium at central table: team gathered around. Panel 40 (6s): Medium: rocket above table. RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: ДИАНА — Stylized Pixar-like 3D adult woman, slim build, light blonde hair in a loose ponytail, warm expressive face with light freckles and visib... ДЕНИС — Stylized Pixar-like 3D adult man, stocky build, short dark messy hair, trimmed dark beard, tired kind eyes, mustard-yellow knit sweater w... Ксения — Stylized Pixar-like 3D adult woman, petite build, dark brown chin-length bob, round tortoiseshell glasses, shy expressive face with skin ... СОФИЯ — Stylized Pixar-like 3D adult woman, athletic build, voluminous curly copper-red hair tied up, lively face with freckles and skin texture,... ВИКТОР — Stylized Pixar-like 3D adult man, tall broad build, short dark hair with grey temples, square jaw, faint laugh lines and skin texture, na... АРТЁМ — Stylized Pixar-like 3D adult man, tall lanky build, brown hair in a neat quiff, narrow friendly face with light stubble and skin texture,... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): Stylized cinematic 3D, expressive animated characters, soft rounded forms, polished materials, warm cinematic lighting, charming facial expressions, high-end animated film look. Apply this treatment as the dominant aesthetic across every panel and character thumbnail consistently, with no mixed styles. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.
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