Art style: Motion Comic. Full-length view, the entire figure visible from head to feet, standing upright and centered — Dan, a man in his early thirties, the twin brother of Diana, sharing her fine bone structure: an oval face, high cheekbones, a straight nose and the same cool grey-blue eyes, but with a guarded, secretive intensity. His dark chestnut hair is short and slightly tousled, with faint stubble along a firm jaw. Lean, medium-tall athletic build. He wears a fitted charcoal wool coat over a dark grey knit sweater, slim black trousers and polished black leather brogues. One hand is pushed into his coat pocket, the other loosely clenched; his shoulders are slightly tense, his gaze lowered and troubled, hiding a hidden ache. He stands on a rain-slick city street at night, blurred streetlamps and wet cobblestones stretching behind him. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: modern semi-realistic digital comic / motion-comic illustration — bold sketchy crosshatched linework especially around large expressive eyes, soft cel shading with painterly gradients, cinematic lighting contrast (warm-to-cool twilight glow against cosy teal-and-amber interiors), mostly static illustrated panels animated with subtle cinemagraph motion: gentle hair drift, slow blinking, soft breathing, slight parallax between foreground and background, slow camera pans and zooms rather than full frame-by-frame animation. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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