Art style: 2D Cutout Animation. Minitsifron_3 standing in the near foreground. Minitsifron_3 is standing on floor in the near foreground in the midground. Torso in three-quarter turn to screen-right. Head in three-quarter turn to screen-right. Eyes on empty_chair. Pointing finger. Furious. Minitsifron_3 wears grey suit. Empty_chair sits in the middle ground in the foreground. Medium-wide shot at seated eye level, 9:16. Horizon middle. Low angle from the end of the table. Foreground: the chair and net. Midground: characters in dispute. Background: blurred meeting room. Key light back, dim and moody. Long shadows toward the camera. Focus: the crumpled net on the chair. Dominant palette: dusty grey, muted brown, charcoal. SPATIAL LOCK: chair overlaps the background characters. GAZE LOCK: minitsifron_3 head in three-quarter turn to screen-right eyes on empty_chair. This is a single frozen instant (action start) — no motion blur, no action chained. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: A distinctive 2D animation style instantly recognizable as South Park: flat, saturated colors with no shading, gradients, or volume. Thick, solid black outlines sharply define every shape, mimicking paper cutouts glued onto a background. Character designs are deliberately simplistic: heads are near-perfect circles, bodies are basic ovals or rectangles, and facial features are reduced to minimal lines and oversized white eyes with tiny pupils. Identity comes from bold, iconic accessories and clothing (e.g., signature hats, hoods, and jackets) rather than detailed facial traits. Backgrounds are intentionally plain—flat color blocks or simple gradients with no depth or complex perspective. The motion is intentionally jerky and angular: head bobs and abrupt pose changes give a stop-motion feel, while mouth animations rely on a few repetitive cycles instead of precise lip sync. There’s a consciously crude, handmade aesthetic—almost like a child’s paper craft—but executed cleanly enough to be instantly iconic. Occasionally, the style contrasts with brief bursts of more detailed or realistic visuals for comedic effect. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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