Wes Anderson style, perfectly symmetrical wide establishing shot, photoreal miniature-diorama look. THE SORTING FOUNDRY interior, empty of any machines or figures on the floor: a vast cathedral-like iron hall. Two steel rails come out of a tunnel mouth dead centre in the far wall (the tunnel mouth is framed by an off-white riveted panel portal with a dark octagonal iron frame and amber lamps) and run straight toward the camera down the middle of the floor, ending in the foreground at two heavy yellow-and-black striped hydraulic buffer posts. LEFT side of the frame: a raised steel service catwalk with a handrail runs along the left wall at about three metres height, from the tunnel mouth to the foreground. RIGHT side of the frame: a tall lattice steel transmission mast rises from the floor to the roof, with an open-grate iron zigzag staircase climbing its side to a small gantry platform near the top. Back wall above the tunnel: endless tiers of dormant rusted automaton chassis hanging from racks like coats in a cloakroom. Steel truss roof with crane rails. Flat soft amber lighting from rows of brass lamps, palette ochre, mustard, terracotta, off-white panels, soot black. Stencilled bay number 7 on the floor. No text other than the number 7.
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