Minimalist editorial studio photograph, medium shot, camera at eye level, slightly wide composition. A person shown only as a clean near-black silhouette (minimal detail, no visible face or texture) stands facing a row of several identical tall black doors lined up side by side, simple flat rectangular doors with minimal detail. The silhouette holds up one key toward the doors. The key is solid bright neon yellow-green (chartreuse/lime), glossy, with a simple black handle/bow shape, the only colored object aside from one detail: one door in the row is slightly ajar, warm/bright chartreuse light glowing softly from the gap and spilling onto the floor in front of it — all other doors remain fully closed, plain black, unlit. COMPOSITION: the entire scene (silhouette, doors, key, light glow) must be positioned within the top two-thirds of the frame only. The bottom third of the image must be solid pure white, with a soft, gradual gradient transition where the doors and floor glow softly fade/blur out into this white area near the bottom edge (like a soft vignette or feathered fade), no hard edges, no shadow line, no visible ground plane. Background: pure white or very light gray throughout, soft high-contrast studio lighting, clean negative space, symmetrical or centered composition, strictly two-tone palette (black silhouette/doors + chartreuse accent) except the white background, no text.
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