Art style: Classic Cel. Medium shot, eye level, cinematic realistic style. A sunlit modern cafe. IMPORTANT CHARACTER ROLES: MARINA is the woman experiencing abuse. She is frightened, vulnerable and emotionally trapped. ANNA is her supportive friend. Anna is safe, calm and concerned. ANNA sits across the small round table, leaning toward Marina with an earnest, worried expression, gently trying to help her. MARINA sits opposite Anna, looking down at the floor, tense and visibly frightened. Her body is closed in on itself, shoulders raised, hands held tightly together. She looks ashamed and afraid, as if she wants to escape but feels unable to. The visual metaphor is centered ONLY around MARINA: beneath Marina's chair, the floor shadows become unnaturally dark and thick, resembling a murky pool of mud slowly pulling her down. Anna is NOT trapped and has NO dark shadows around her. Natural bright sunlight illuminates Anna clearly. Marina is also visible, but a localized pocket of heavy shadow surrounds only her chair and feet. The contrast represents Marina feeling trapped in an abusive relationship while Anna is trying to reach her. Do not swap the characters' roles. Marina must be the frightened victim; Anna must be the supportive friend. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: classic traditional 2D cel animation in the style of late-1990s Disney feature films (the Tarzan / Pocahontas / Beauty and the Beast era) — clean bold ink outlines, flat cel-shading with soft one-tone shadows, large expressive eyes with bright catchlights, warm skin tones with a gentle blush, glossy lip highlights, painterly soft-focus background art contrasted with crisp character linework, shimmering sparkle-dust particle effects, romantic warm-versus-cool lighting contrast. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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