Image - 2026-08-29 10:59

Photorealistic interior photography of the SAME small living-office room as in the source image (image 1). Identical camera angle, identical viewpoint, identical perspective, identical framing, identical room geometry, identical furniture layout and identical architecture. NOTHING is moved, added, removed or resized. ONLY colours and finishes change, transferred from the reference interior (image 2). 1. BUILT-IN JOINERY — DARKER, WARM GREIGE-BEIGE The full-height built-in wardrobe and the open shelving unit on the right change from white to the warm greige-beige matte lacquer of the reference: soft, warm, noticeably deeper and darker than the current white, low chroma, no grey-cold cast, no brown, no yellow. Keep the exact same joinery: the same door divisions, the same shadow-gap lines, the same handleless fronts, the same open shelf compartments, the same shelf heights, the same drawer unit, the same depth and the same proportions. Only the colour changes. The open shelving compartments have their back panels in the muted deep sage-green of the reference, matte, and warm integrated LED shelf lighting washing down each compartment, exactly as in the reference niche. 2. THE DESK IN THE FOREGROUND — SAME COLOUR AS THE JOINERY The white desk in the foreground changes to exactly the same warm greige-beige matte lacquer as the wardrobe and shelving unit — the same tone, the same depth of colour, the same matte finish, reading as one consistent family with the built-in furniture. Keep the desk in its exact position, size, shape, thickness and edge profile, and keep the laptop and the wooden tray on it in their exact positions and finishes. 3. SOFA CUSHIONS — reference palette Replace the cushion colours with the reference palette: one soft muted lilac-mauve velvet cushion, one grey-and-ivory abstract watercolour patterned cushion, and ivory-cream textured cushions. Remove the olive-green cushion. Keep the exact same number of cushions, the same sizes, the same positions and the same arrangement on the sofa. The sofa itself keeps its exact ivory-cream upholstery, shape, size and position. The knitted throw keeps its position and becomes a soft warm greige-beige. 4. ACCENT WALL — UNCHANGED The chevron wood accent wall stays exactly as it is: the same light natural oak tone, the same chevron geometry, the same panel joints, the same texture and the same warmth. Do not darken it, do not lighten it, do not change its pattern. 5. WALLS The painted walls change to the warm ivory-cream matte paint of the reference — light, milky, softly warm, low chroma, no pink, no grey cast. Keep every wall plane and corner exactly as in the source. 6. LEFT SIDE — UNCHANGED The window niche on the left keeps its exact oak frame, its exact position, size and depth, its sheer curtain and its window seat. Its cushions follow the same reference palette — ivory-cream, soft lilac-mauve and warm greige — replacing the olive-green cushion, in the same positions and count. Nothing else on the left changes. 7. FLOOR, RUG AND ACCESSORIES Keep the light natural oak flooring exactly as it is — same tone, same plank direction, same layout. Keep the woven textured rug in its exact position, size and shape, in a soft warm greige-beige. Keep the black floor lamp, the black round side table, the small vase and the grey upholstered chair in their exact positions, sizes, shapes and finishes. PRESERVE EVERYTHING ELSE EXACTLY AS IN THE SOURCE IMAGE Keep the identical camera angle, viewpoint, height, perspective and framing — this is critical. Keep the exact room proportions, ceiling height, wall positions and corner junctions. Keep the black ceiling track line in its exact position. Keep every piece of furniture in its exact place with its exact silhouette. Do not add artwork, plants, curtains, decor, lamps or any furniture that is not in the source image. Do not remove anything. Only colour and finish change. LIGHTING Warm ambient light at 2700-3000K exactly as in the source: the warm glow of the floor lamp, soft natural daylight from the window niche, the new warm shelf lighting inside the open compartments, gentle ambient fill, realistic soft shadows with natural falloff, balanced exposure, no blown highlights, no cold cast, no added light sources. CAMERA Shot on Canon EOS R5, 24mm tilt-shift lens, f/8, 4:3 aspect ratio, vertical lines perfectly straight, eye level, exactly the same perspective as the source, editorial real-estate photography, ultra photorealistic, high dynamic range, fine wood grain, fabric and matte lacquer texture, natural film grain, 8k. --no watermark, logo, text, signature, brand mark, software watermark, stamp, caption, changed camera angle, changed viewpoint, shifted perspective, changed framing, cropped composition, zoomed in, rotated view, changed room proportions, changed ceiling height, changed layout, changed geometry, moved sofa, changed sofa shape, changed sofa colour, moved wardrobe, changed wardrobe divisions, changed shelf heights, added shelves, removed shelves, added handles, visible hardware, white wardrobe, grey wardrobe, brown wardrobe, dark brown joinery, high-gloss finish, wood-grain wardrobe fronts, white desk, moved desk, resized desk, changed desk shape, wood desk, dark desk, glossy desk, desk colour different from the joinery, removed laptop, removed tray, changed accent wall, changed chevron pattern, darkened wood wall, lightened wood wall, painted accent wall, green cushions, olive cushions, blue cushions, bright purple cushions, added cushions, removed cushions, rearranged cushions, changed throw position, moved rug, changed rug shape, removed rug, moved floor lamp, changed lamp colour, removed side table, removed chair, changed chair colour, changed floor, changed plank direction, dark floor, orange floor, changed window niche, removed curtain, added artwork, added plants, added decor, added pendant lights, added ceiling lights, people, tilted verticals, converging walls, fisheye distortion, cold blue tones, harsh flash, blown highlights, cartoon, CGI look, blurry textures