Art style: Claymation. A close-up of Miles Vance at the crime scene, leaning down toward a patch of scorched pavement. He is sniffing the air, his nose wrinkled in distaste. Wisps of grey smoke rise from the ground, smelling of burnt electronics. The ground around the area is slightly charred. The lighting is dark, with only the distant glow of the city and the police strobes. The color palette is earthy and gritty. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: high-end 3D cinematic claymation / stop-motion — hyper-stylized cartoon proportions with sharp geometric heads, huge bulging matte-white eyes with tiny sculpted pupils, sculpted hand-painted hair. Skin and hair show a tactile polymer-clay texture with subtle surface imperfections, slight bumps, soft matte finish — looking exactly like a physical hand-sculpted clay model. Clothing and accessories rendered hyper-realistically (glossy nylon, ribbed knit, leather, metal). Cinematic warm ambient practical-source lighting. 8k Octane render quality. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Character appearance reference (MUST match exactly): - Miles Vance: A man in his late fifties with a weathered, rugged face marked by deep character lines and heavy bags under tired, sharp eyes. He has short, messy salt-and-pepper hair and a thick patch of grey stubble on his jaw. His expression is one of perpetual exhaustion mixed with keen observation. He stands in a dimly lit, smoke-filled office with old paper files scattered around. The lighting is harsh side-lighting from a desk lamp, creating high-contrast shadows that emphasize his craggy features. He has a sturdy, slightly slumped build, looking like a man who has carried the weight of the world for too long.
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