A seamless tileable wallpaper pattern, flat straight-on view of the
printed artwork only.
A bold abstract composition of loose hand-drawn squiggles, soft blob
shapes and short dashes scattered freely across the surface at three
different scales. The marks look drawn fast and confidently, slightly
wobbly, never geometric. Elements overlap and crop one another, some
shapes filled solid, others left as open outline. No grid, no rows,
no centred motif — the layout reads as a spontaneous sketch with no
visible repeat structure.
Printed in the manner of risograph: three flat spot inks only —
bright tangerine, deep cobalt and soft butter yellow — over a warm
off-white paper ground. Where two inks overlap they multiply into a
darker third colour. Visible ink misregistration, one colour offset
by a millimetre, grainy uneven ink coverage, small speckles and
roller marks.
Flat rendering with no volume, no cast shadows, no gradient.
The design must tile seamlessly: any element touching an edge
continues exactly onto the opposite edge, with no interrupted shapes
and no empty margin. Even visual weight across the whole square, no
clustering, no border.
No perspective, no lighting gradients, no vignette, no wall, no room,
no mockup, no frame, no text, no watermark.
