"FLINT AND WING" — Music Video Treatment
Core visual thesis
The song is a handover. So the camera language should be: the father is always giving, the boy is always receiving. Every frame either passes something (fire, flint, breath, weight) or shows the sky taking something away. Dragons are almost never fully seen — they're weather, not monsters. Wind, shadow, ash, a wingbeat that flattens the grass. The one time we see the creature clearly, it should cost something.
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музыкальный трек, к нему обложка нужна на YouTube
