Art style: Cinematic Realistic. A close-up shot of Volkov's hand gripping the edge of the metal table so hard his knuckles are white. The metal surface is cold and reflects the flickering light of the failing lamp. In the background, Volkov's face is out of focus, a dark, menacing shape. The air is filled with a thick, static-like haze, as if the reality of the room is beginning to break down. The color palette is desaturated, with only the amber glow of the cigarette ember and the cold grey of the metal standing out. The textures of the scratched metal and the weathered skin of his hand are hyper-realistic. The atmosphere is one of desperation and the breaking point of a long investigation. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic" idiom, not in any other medium. Character appearance reference (MUST match exactly): - Волков: A man in his late fifties with a rugged, weathered face and a thick, salt-and-pepper beard. He has deep-set, cynical eyes under heavy brows, showing years of exhaustion. He wears a heavy, charcoal-grey wool overcoat with a popped collar over a faded police uniform. His hands are calloused, and he holds a glowing electronic cigarette that emits a thin trail of amber vapor. He is positioned in the shadows of a brutalist interrogation room, with harsh yellow light from a single overhead lamp creating deep, dramatic shadows across his features. His presence is heavy and intimidating, like a monolith of the old world.
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